Thursday, 4 October 2018

Sinetron keeps links with Indonesia alive

Despite isolation and multiple migrations the Cocos Malays maintain a resilient culture

by Nicholas Herriman and Monika Winarnita.

Inside Indonesia  HERE.



From South Africa to the Middle East, and Sri Lanka to Australia, Indonesians have long travelled around the Indian Ocean, establishing communities that hold on to the customs and languages of their homeland. The experience of the Cocos Malays provides a fascinating, if often overlooked, story of one such Indonesian migration in the Indian Ocean.

Situated about 1000km south of Java and Sumatra, the Cocos (Keeling) Islands are part of Australia’s Indian Ocean territories. The northern atoll, Keeling Island, is uninhabited, while its southern counterpart, the Cocos Islands atoll, has only two inhabited islands: West and Home. A total population of around 600 people is split between the two. West Island is home to over 100 people mostly from the Australian mainland. The 470 or so residents of Home Island, by contrast, form a Malay community or ‘kampong’. This community has a longstanding connection with Indonesia.

The White Rajas

The ancestors of the Home Island community were slaves, convicts and indentured labourers, mostly brought from the Indonesian archipelago in 1826. At the time, there was a power vacuum in much of Southeast Asia. Indigenous rulers held their capitals but their authority had diminished away from these centres. European powers controlled isolated trading fortresses, which would later expand to become vast colonial empires. In between, however, a few merchant adventurers fancied that there was plenty of places in Southeast Asia open for conquest – territories where they could establish themselves as White Rajas.

Alexander Hare was almost successful in this endeavour. Importing slaves from Java and elsewhere in Indonesia, he created a large territory for himself in southern Borneo in 1812 at the invitation of the Sultan of Banjarmasin and in the full knowledge of Sir Stamford Raffles. The Dutch, however, were suspicious of Hare, and he and his retinue of Indonesian slaves were moved on (these slaves, despite having Dutch certificates of emancipation, appear to have signed themselves and their children over to Hare as ‘property’ and thus depended on him). The Cape of Good Hope colony was more amenable to his entourage, but they headed off again, arriving on the as yet uninhabited Cocos Islands in 1826.

So Hare had people and now the land, but his dreams of empire were again forestalled, this time by another merchant adventurer, John Clunies-Ross, who had visited the islands the previous year. Relations between the two men quickly became hostile and Hare ultimately left the Cocos Islands and its population in 1831, disappearing several years later somewhere in the interior of South Sumatra. The Clunies-Ross dynasty ruled over the islands until 1984, when the Australian government assumed formal control of the islands.

The Cocos Malays

Who were the people John Clunies-Ross counted as his subjects? The Cocos Malays were not ‘Malay’ in the sense of the ethnic group that lives around the Straits of Malacca, but were rather in the broad colonial sense, that is, natives of Southeast Asia. In 1836, Clunies-Ross wrote that the 120 men, women and older children of the island included ‘natives of the Malay Peninsula, Sumatra, Borneo, Celebes, Java, Bali, Sumbawa, Timor, New Guinea, and the Cape of Good Hope, and Indian and Chinese descendants, the majority being of the Malayan or Brown race of people.’ What’s clear is that the people of the Cocos Islands spoke Malay and were identified as being nominally Muslim.

This diverse population was put to work exporting coconut products made from the many coconut palms on the islands. Some argue that the Clunies-Ross family abused their status (upheld by a Malay-Indonesian notion of divine, mediatory kingship), while members of the dynasty described their rule as a benevolent family or clan-like relationship. When Charles Darwin recorded his visit to the islands in 1836 in the 3 April entry of his Journal of Researches he described a population living in conditions of slavery.

Aside from an occasional Javanese seaman who settled on the island, the next wave of immigration took place under John Clunies-Ross’ great grandson, John Sidney Clunies-Ross, who inherited the rulership from his father, George Clunies-Ross, in 1910. John Sidney arranged with the Dutch authorities to bring in convicts and chain-gang criminals from Java. These Orang Banten (Bantamese), as they were known, were initially housed in a separate village, separated from the original group who were now called the Orang Cape (Cape of Good Hope people), after their sojourn so many years before. The Bantenese spoke a range of Javanese dialects and brought with them shadow puppets and other Javanese cultural artefacts. Some of them stayed on after their terms had expired, marrying Orang Cape women and settling in the Cocos.

By this time, a mixed culture seemed to have developed. Years of intermarriage, the unification of the two villages and the incorporation of Javanese words into the Cocos Malay dialect marked the integration of the two populations. A European influence could also be discerned. Over the years, the Clunies-Ross heritage could be heard in Scottish reels and in the names of some Cocos Islanders (such as ‘Anggas’ and ‘Boyd’). European boat designs were used and English words incorporated into the local dialect. Unions were made between European staff and local women. Indeed, John Clunies-Ross’ son, John George, twice married Javanese women and his grandson married a Cocos Malay. The offspring of this latter marriage, John Sidney Clunies-Ross, reportedly had ‘very distinct traces of Eastern blood’ and spoke ‘English rather poorly’.

From Home to Australia

The Cocos Island community went into crisis when poor management and a fall in coconut prices rendered the 1930s population of approximately 1800 people unsustainable. The Clunies-Ross family provided passage for Cocos Malays to resettle on Christmas Island, in Singapore and in Sabah. Christmas Island, situated 900km east-northeast of Cocos Island, was the site of a large phosphate mining operation. Singapore, still a British colony, was a thriving international port. In Sabah, also a British colony, Cocos Malay were put to work restoring plantations near Tawau (near the Indonesian border), where they eventually established a village named Balong Kokos after the Cocos Islands.

During the 1930s and 1940s, more than three quarters of the Cocos Malay population emigrated, leaving less than 400 on Home Island. A further, smaller-scale wave of emigration occurred in the 1970s, with Cocos Malays (including some who had already moved to Christmas Island) settling predominantly in five Western Australian locations: Katanning, Geraldton, Hedland, Canning Vale, and Bunbury. Some went to Katanning and Geraldton to work in abattoirs exporting frozen halal meat. Others made their way to Hedland to work in the burgeoning Pilbara iron ore industry.

Since the Cocos Islands became part of Australia in 1984, emigrants to the ‘north’ (Singapore and Sabah) and their descendants have begun to return to Home Island and links with Western Australian communities have strengthened. The predominant migratory pattern has been southwards: Cocos Malays from Singapore and Sabah migrated to Home Island, and those on Home Island migrated to Western Australia, especially to Canning Vale, an eastern suburb of Perth and Bunbury, a small town in the south-west where a Cocos Malay community has developed.

Indonesian connections today

But there are still connections between Home Island and Indonesia. Those living there can understand visitors who speak Indonesian, although Cocos Malay has developed into a distinct dialect with strong Javanese elements. Java sometimes figures in discussions of culture and identity, with Banten mentioned particularly often. The sense of tradition is apparent, for instance, in the melenggok dance (in which two males dance as a pair) and in silat martial arts performances, both of which feature in marriage celebrations. Some Indonesians continue to marry Cocos islanders and migrate to Home Island.

More obvious contemporary links with Indonesia are maintained through television. The available satellite television connections only broadcast Australian and Indonesian channels. The Australian channels can’t begin to compete with the popularity of Indonesian programs, especially the sinetron soap operas, which are broadcast in three hour stretches across the Island’s five Indonesian channels. The grandparents’ generation prefer the Indonesian channels due to their lack of fluency in English, but their children and grandchildren are just as involved in these dramas from far across the water.

Nicholas Herriman (n.herriman@latrobe.edu.au) is a lecturer in Anthropology at La Trobe University. Monika Winarnita (m.winarnita@latrobe.edu.au) is a PhD candidate at ANU and researcher at La Trobe University’s Centre for Dialogue.

23 comments:

  1. What I have realised is Indonesian TV programs are not designed for me, they are designed and marketed to the majority of Indonesians. Those tacky & non-educational TV programs are what the majority want, and that is what they get, it’s their entertainment, not ours. This the fundamental law of supply & demand, TV channels will supply what people demand. Sure, Indonesian TV programs are tacky, some even rip-off famous international TV series and most of them are non-educational, but they depict how Indonesia look like as a society. For the majority of people, this is the only option. This is the harsh truth, but these TV programs might be the only source of entertainment accessible by them after their hard blue collar work. The contents of Youtube, Netflix & International Channels are off-limits for them because it’s mostly in English and not free, these two factors alone eliminate millions of people who never learn English & don’t have enough money even for their basic needs, let alone tertiary stuff like entertainment.

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  2. Soap operas also known as sinetron still plays a big role in Indonesian media. I grew up watching cartoons in the morning and sinteron at night because the television timing is set that way up until now. I realized that sinetrons are non-educational TV programs and more people are starting to realize this as well yet so many people are still watching it. Why is that? I wonder. Not only it is non-educational it also has basic storyline that we could easily predict so there is really nothing that makes it special. Then I realized, just like any other dramas, sinetrons are addictive. And for some people, it is their only source of entertainment hence why they continue watching it. It is sad. What’s worse is the fact that the little children are watching these clingy love stories as well and they start copying the actions of the actors that might not be appropriate for kids their age.

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  3. I notice that sinetron (Indonesian soap opera) is a favorite for most people in Indonesia. Personally, I can’t enjoy sinetron at all. Not to be judgmental, but in this opportunity, I would just like to point out some reasons why I can not enjoy sinetron. First, the story is quite predictable. I once watched a sinetron for a certain time. It was my first time watching sinetron, and I just wanted to know what sinteron is really like. At that time, I can predict haw the story will continue. Second, I notice that if one problem is finished, there will be more unreasonable problems that come up. Eventually, this can make the watchers bored. I found out that there is a sinetron about a porridge seller that wants to go on Hajj. And it turns out, it has more than 2.000 episodes. I seriously question about this sinetron. And the third, some stories or scenes are non-educational. This may be dangerous to children who are starting to watch sinetron. In conclusion, even though sinetron is famous in Indonesia, I can’t seem to enjoy it.

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  4. My gratitudes to this blog for expanding my knowledge, I have seen Cocos Islands on the map, but I did not realize the connection between them and Indonesia, and I didn’t expect our sinetrons to go that far away across the ocean; I have always despised several sinetrons for their poor storylines but some are worth watching (if it weren’t for the little humours they slipped into them, I wouldn’t have bothered myself to watch one) and these Cocosian ( I’m quite unsure if this is the correct demonym for their nationality) may share the same taste with the average Indonesian TV-watchers. The existence of similar traditions in Cocos Islands and Java are quite interesting considering the range between the two, and how its people managed to create marriage ties with outsiders from Indonesia is probably another “love knows no distance” story. Marriage ties are probably another reason why soap operas are flourishing in the Islands; these outlanders are simply watching what they watched in their home country, and people around them, which mostly speak Malay, watch Indonesian channels to watch soap operas in preference to Australian channels. A terrible decision, really, these people have to at least try to learn English so that they will be able to develop a preference to a good TV program. People can take sinetrons for cheap entertainment, but that’s where we’re wrong : people enjoy cheap humours.

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  5. I can say that "sinetron" is a failed product from the film industry in Indonesia. Comparing with films from Hollywood, the quality of sinetron is not able to compete with films produced by western countries. First, the flow in the sinetron does not have clear consistency, the story of an episode always brings deep confusion. The application of photography and videography is also never in accordance with the standards of film angles. Second, the editing process has never been smooth until now, even some sinetrons that use CGI effects can never be contrasted with the video. Third, the number of episodes that are never clear, there is even a sinetron that reached more than 2000 episodes, compared to TV series produced by CW such as The Flash, Arrow, and DC Legends which only reached 12 episodes in one season. Lastly, sinetron is not able to give a positive impression on the audience, the story presented is always full of negative connotations.

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  6. This article reminds me of some memory of my grandmother when she was in Kediri. When I was still living in Kediri I commonly accompany my grandmother so that she doesn’t feel lonely. This shows are not the kinds of shows that I like. The drama was basic, the edit was weird, the setting of the place was bad and dirty, the equipment looks stupid and made out of plastic, the actor’s expression is weird. But with all of those problems my grandmother can enjoy the show. To me, as long as she enjoys the show I’m fine with it. It is almost 3 years since she past away, back then, when I was watching this shows I feel kind of bored. But today I’m happy that I spent hours accompanying her watching and listening to dreadful conversation in that show, because I can not do those things that I did because she is not here anymore.

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  7. Sinetron become a big phenomenon in Indonesia, since sinetron is everywhere people watch it in their spare time. I don’t really watch TV but sometimes I enjoy sinetron while having dinner with mbok. For me Indonesian soap opera is unique and very entertaining. Even though sinetron is considered as a cheesy romantic and get viral for its clingy line people still watch it. But I have to admit that sinetron is not good enough compare to any other soap opera, many factors affect it, but for sure the quality and the plot story is beyond expectation. As Indonesian, I truly regret to say that sinetron consist of unappropriate scenes. Not to mention their cinematography and settings that sometimes hurt my eyes and my heart. Lack of funds could be one of the major factor, but I think it only takes a creativity. Indonesian soap opera need more people with innovative ideas.

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  8. We all know that sinetron soap operas are still airing until this days because of many factors involving Indonesian as viewers. It would be that there are still a lot of viewers, so that the income from advertising would still be high, and also it affects the rating system that’s still believed as a reference for the TV producers. The low awareness of people towards more quality content shows also may be the main cause of this. I believe that the well-educated youth in Indonesia do majorly understand about why soap operas should not be watched. But, the thing is, the older generation that still has traditional mindset about this current life going on, still kind of worship those sinetron soap operas in our local channel. This mindset should still be reduced and then replaced to a more adaptive one regarding our kind of futuristic condition. Actually, while I typed this, my grandmother was watching sinetron. It’s so trashy I would say. She understands that sinetron is that trashy, but for the “killing time” reason she said. That’s why we still have that big amount of viewers of sinetron. I hope this would be a work that will be done sooner by us, Indonesian.

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  9. Soap Opera or Sinetron has been popular ever since who knows when since they’ve existed for a very long time. Personally, I’ve known Sinetron ever since I was very young, I remember watching it as a kid and not getting the point of the story they’re trying to tell because I was too young and naive. I was first introduced to the world of Sinetron by my babysitter. Technically, she wasn’t my babysitter but since I don’’t know what to call the term “Mbak” in English we’re just going to call her my babysitter. Anyways, she would let us watch different Sinetron every day and night. I remember one called “My Heart” which was my guilty pleasure as a kid. I also remember one called “Candy” which was also one of my favorite as a kid. The most popular Sinetron during the early 2000 that i could vividly remember until today was called Cinta Fitri. Although they had multiple seasons, have never watched any of them.

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  10. Sinetron or Indonesian soap opera is a source of entertainment in Indonesia. The contents of a sinetron is not really suitable for kids. However, almost all age groups in Indonesia watch sinetron. When I was younger, my parents didn’t allow me to watch sinetron. However, that didn’t prevent me from watching. The majority of Indonesians love sinetron. However, I do think parents need to guide their kids if they allow their kids to watch sinetron. There are a lot of things, such as vulgar language, that kids shouldn’t imitate and do in real life. To a certain age, kids tend to imitate the behavior they watch. Therefore, parents should really pay attention to the things their kids are exposed to. The government could also make regulations and limitations for the sinetron that could air on TV. This could contribute to the betterment of our nation in the future. The content makers could also change the contents of a sinetron to be more educational or contain more moral values.

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  11. There was a lot of sinteron-consuming going on in my household. My helpers and my grandmother would watch them religiously in their free time, even I admit that I enjoyed some episodes of sinetron and genuinely felt that it was a time not wasted. I mean, Isn’t it obvious that the average Indonesians would be addicted to sinetrons? It goes on forever, usually has a cast of one note characters so you could miss a couple of episodes and not be confused, and usually a moral value that everyone can agree upon, and don’t forget the slapstick humor…the many, many amounts of slapstick humor.

    On the contrary, I think there is a much darker consequence of sinetrons. First of all, the lack of character development could make the viewers believe that, once a person is good or bad, they will always be that way, which is a terribly bad way to judge someone. Second of all, sinetrons like to have a different interpretation on God’s powers, sinterons would often depicts God as a more “hands-on” deity, something that would always torment the “evil” guy at the end of the episode. This could lead to people to misinterpret God and does religion not accordingly. These problems could of course be fix by fixing the writing in the sinteron and not milk the values of the common Indonesians.

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  12. Sinetron or Indonesian soap opera played a big part in my household few years ago. Not to my family particularly, but to the housemaids I had. Honestly, I am far from liking the concept of Sinetron. The reason that I kind of dislike about Sinetron is the quality produced by their producers. They tend to give effortless production and low quality acting. Other than that, I think the biggest problem I have with Sinetron is how it can adversely affect people’s judgment because of its content. However, no matter how much we complain about sinetron, sinetron will always be existed, and the number will not be only constant but increasing. The reason is because that there are still lots of people (especially those who can't afford high quality movies) stick with Sinetron. By this, they will still gain high ratings & views. To give a solution, I think the best one is to monitor the Sinetron. If they produce something negative to the society, report them to KPI or prevent the viewers (housemaids, etc) from watching it.

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  13. All I can see from watching several “sinetron” in my childhood is that, sinetron is one of failed products from the filmography industry in Indonesia. While sinetron is targeted for some specific market, such as middle to low class and old people, I think that most of youngsters in Indonesia does not watch them anymore since there are more attractive movie, such as one you can watch in the cinema and some streaming sites such as Netflix and Iflix. The main issues with sinetron is that usually the stories are not educating and contains a lot of immoral and vulgar language. These are one of the reasons why most of sinetron in Indonesia should be rated as 17+. Parents should also pay attentions to what are their kids watching because kids tend imitate the behavior they watch. I think the only reason why sinetron is being kept in television is because of their high rating and income. While sinetron seems to be liked by a lot of Indonesian, personally, it’s just not my cup of tea.

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  14. When I was a child I used to watch sinetron because my 'mba' or nanny decided that sinetron is the best way to educate children in terms of the real life. I think sinetron is the most favorite programme for Indonesia viewers, my father works at one of the national TV channel and I asked him once what is the best programme In Indonesia and he answered that sinetron and I asked him again why and he said because Indonesia viewers are mostly coming from middle-lower class and not to be offensive they are feel that sinetron is the most suitable programme for them. It is a fact because TV programme that has the best rating is indeed sinetron. It is well-known that the best sinetron is coming from Indonesia, India, and Malaysia but I was shocked when hearing that is reaching Cocos Island but it means that our sinetron is good.

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  15. I had no idea that this article mostly consists of international relations rather than actual Indonesian “sinetron”. This article states that Indonesian soap operas, also known as “sinetrons”, is a big source of connectivity amongst Indonesians and other neighboring countries which share a similar heritage. It is true that Indonesian soap operas are very popular amongst Indonesians and non-Indonesians, largely because the older generation prefer it over Australian shows because of their lack of fluency in English. Personally, I don’t tend to watch “sinetrons” because I consider it inferior to other sources of entertainment. I am a sort of critic when it comes to entertainment, and I have come to relies several aspects of Indonesian soap operas that I consider cliché. The theme of these soap operas always has something to do with: religion, romances, mysticism, myths and legends, and family drama. The story frequently revolves a similar arc. Antagonist seeks something which involves great power, money, or fame. They then resort to unconventional means of getting said desires; which is usually by illegal means or by supernatural aid. The antagonist’s actions causes harm and misery on supporting characters who are in close relations to the main protagonist. The main protagonist then set out to find help for their peers, eventually running into other characters who may or may not have malevolent intentions, or a significant role. Background characters then accuse a side character for their hardship, eventually causing great pain, or likely death, to said character who isn’t the antagonist. The protagonists, including the main protagonist, then finds the powerful villain responsible for everything, but is unable to defeat him/her because of how powerful he/she has become at this point. The protagonist then receives some sort of enlightenment during their recovery after the encounter, and finally has the means to defeat the villain. The antagonists then tries another scheme, which the hero interrupts. A conflict ensues which ends when the villain dies, and the story ends with it. All this occurs over the entire run of the show, and usually means the end of the series; but in other cases, it’s the same arc that happens for every episode in the franchise. These “sinetrons” share similar elements that include, but are not limited to: non-fully fleshed out flat characters, repetitive use of the same story dynamic, the same moral story, characters performing clichés, fast moving camera scenes, scenes that weigh too much on unnecessary drama, character development which is unheard of, and the endless use of cliffhangers. Maybe this is just me complaining about something I have very little experience of for four hundred words, but if these soap operas continue to draw in audience, they will continue to make more of these.

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  16. I notice how Indonesian teenagers nowadays considers sinetron as soap operas that targets people with middle to low income. Well, I would say, what's so different with sinetron, Netflix series, and K-Dramas? All three essentially have similar storylines; I personally think that the only thing that distinguishes them is the matter of actors and cinematography. True, sometimes sinetron may seem cheesy, but I do think that some Netflix series and k-dramas are equally cheesy and do not provide moral value as well. The big hit K-Drama called "Boys Before Flower" is basically about a rich guy who fell in love with a poor girl. Doesn't it seem like a familiar storyline in Indonesian sinetron? We have seen stories very similar to this before, for example, about a rich girl who fell in love with her driver. However, I do think that due to globalization, we tend to have much more interest in foreign dramas, which is fine since nowadays storylines are starting to evolve and have improved over time.

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  17. We should be proud that the present Indonesian digital entertainment presence has grown rapidly, marked by the number of private television stations competing with each other to present shows for the audience. The shows they have presented have sharp, accurate, and objective information, television has also helped community members understand various actual issues in various fields.

    Not only that, television media also presents events that can broaden public horizons such as talk shows, discussions and other educational events. And today television media is one of the best friends for Indonesian children and adolescents with attractive treats that can accompany them to relax at home, such as cartoons, music shows and more.

    However, it seems that television nowadays is more of a story in the form of soap operas. Which is where soap operas are currently becoming the Indonesian television trend compared to other more positive programs. In the 90s, children's shows were often found on television, but now, underage children are intimidated by shows - adult shows.

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    Replies
    1. In attracting the audience segment, each television station competed with one another to show something that was a trend and many were watched by the audience, none other than to increase their rating. One example is soap operas, there are several and can be said of many television stations in Indonesia that often display soap operas which are actually only for the use of parents not children. However, because the viewing hours allow for children to watch, so children will also watch it.

      The story that is usually adopted in the soap opera is the story - the story of the lives of teenagers who live in luxury - mercy and household life that is so complex that it should not be worth watching for children. It is true here that supervision is needed for parents to watch their children choose a good television program, but for some parents to let their children watch television for hours, assuming that they are entertained by the show, regardless of the benefits and influence on the mental and mental development of their children.

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    2. The rise of soap operas that are of no benefit to the audience in Indonesia, only makes the mindset and impact of the behavior of the Indonesian people decline. Because soap operas are served every day, and almost all televisions have their own superior soap operas. Starting from soap operas with elements of love, fighting, hostility, and sometimes even displaying things that don't make sense.

      According to Bullet Theory states that mass media are considered to have a very large influence. The influence or effect of mass communication on the audience. This bullet theory was first put forward by Wilbur Schramm. Where this theory clearly illustrates how the condition of the mass media, especially television, has a huge influence to shape the mindset of society.

      With the existence of KPI (Indonesian Broadcasting Commission), the public can directly report their complaints online if they feel disturbed by the television programs that are not good to watch. This is very helpful for people who want to move to stop television shows, especially soap operas.

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    3. Not infrequently television only thinks about the benefits of the company, without having to bother thinking about the things they do to the people of Indonesia. The more soap operas highlight the drama's life, the more people will like it. Thus their soap opera rating will be even higher. And there will be a lot of ads that are interested who finally put their ads on the soap opera.

      The thing that often happens is the role of parents who free their children to watch soap operas for adults. Even though there are so many scenes that are violent and highlight hatred towards fellow human beings, they are always the "spice" for soap operas. Violence in the form of fights that are constantly repeated and watched by children. Then the greater the impact, the children will imitate the scene. Children will think that fighting scenes make themselves like heroes. Because of the lack of guidance from parents, the child will misunderstand.

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    4. The role of mass media for today is very influential, especially on television. Impressions in the form of knowledge and information are increasingly lacking. Soap operas that are dominating in television shows. The mass culture presented also contributes to the way people look. What they see on television will be imitated as quickly as possible in the real world.

      Soap operas only present impressions that don't make sense, conflicts that are too complicated, the plot is unclear. For years soap operas have not been of good quality. Even many soap operas have 2-3 hours of viewing time, this is a long and excessive duration to watch.

      It should be replaced with a variety of programs containing knowledge or programs about Indonesia, maybe it can discuss culture or history and be presented in an interesting way.

      Because if it continues to be left like this, then our society becomes a society that will be filled with drama in its life. Especially for children whose mindset is still vulnerable to change and easily influenced by what they see, hear and feel. This is indeed a complicated process, because for years the people have been indoctrinated by the show. A process to help the government, by not watching soap operas that only prioritize the interests of the company's money and clearly harm the public.

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    5. It is very unfortunate that developed countries are competing to create a generation that is potentially superior. But this country is even more left behind due to television shows that they consider to be entertainment. Without realizing the mindset of the community will be formed if continuously soap operas are not stopped. All back to money, big television companies really need a lot of money. To continue to extend the storyline of the soap opera they made.

      The logic of the story is also a factor on why sinetron are critically panned.

      Let's just say there is a rich guy in this scenario.
      A hedonistic lifestyle seems to make him taller among others. This lifestyle is what we now encounter in Indonesia, especially big cities, which only rely on their prestige. Without thinking how their parents got the money.

      The conclusion is that as long as false doctrines are still being viewed in modern-day media platforms today, our citizens would continue to be affected and indoctrinated by propagandas easily, and our society won’t grow to thrive.

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  18. I’m never a big fan of Sinetron. Sure I watched it a couple times back then, but now I feel like it’s just a waste of time. Most of the scenes played out weird, and there are a lot of moments where you go like ‘is that even possible’? But, don’t try explaining this to avid watchers. Because one way or another, you’ll lose the argument anyway. Sinetron is one of the main reason that kids these days don’t act like their age. This is because most Indonesian kids don’t have access to cable tv’s. coupled with their limited English understanding, making sinetron the number one entertainment source. My 7 years old niece already started talking about what kind of husband she would like one day, and that she is interested in dating etc. like, come on. Should kids be allowed to watch these? And each year, the number of sinetron just keep getting higher and higher. Its like KPI don’t really care. It sucks

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