We'll be fighting in the streets
With our children at our feet
And the morals that they worship will be gone
And the men who spurred us on
Sit in judgement of all wrong
They decide and the shotgun sings the song
I'll tip my hat to the new constitution
Take a bow for the new revolution
Smile and grin at the change all around
Pick up my guitar and play
Just like yesterday
Then I'll get on my knees and pray
We don't get fooled again
The change, it had to come
We knew it all along
We were liberated from the fold, that's all
And the world looks just the same
And history ain't changed
'Cause the banners, they are flown in the next war
I'll tip my hat to the new constitution
Take a bow for the new revolution
Smile and grin at the change all around
Pick up my guitar and play
Just like yesterday
Then I'll get on my knees and pray
We don't get fooled again, no, no
I'll move myself and my family aside
If we happen to be left half alive
I'll get all my papers and smile at the sky
Though I know that the hypnotized never lie
Do ya?
Yeaah!
There's nothing in the streets
Looks any different to me
And the slogans are replaced, by-the-bye
And the parting on the left
Is now parting on the right
And the beards have all grown longer overnight
I'll tip my hat to the new constitution
Take a bow for the new revolution
Smile and grin at the change all around
Pick up my guitar and play
Just like yesterday
Then I'll get on my knees and pray
We don't get fooled again
Don't get fooled again, no no
Yeaaah!
Meet the new boss
Same as the old boss
Townshend on the Politics of Won't Get Fooled Again
Pete Townshend comments on Won't Get Fooled Again being named the all time greatest "conservative" rock song:
... the song has no party-allied political message at all. It is not precisely a song that decries revolution - it suggests that we will indeed fight in the streets - but that revolution, like all action can have results we cannot predict. Don't expect to see what you expect to see. Expect nothing and you might gain everything.
Two thoughts: Revolution and conservatism are not necessarily inconsistent. From one perspective, for example, the American Revolution was a deeply conservative act - an attempt by the colonists to conserve what they understood to be the ancient rights of Englishmen from Parliamentary tyranny. Second, is not the law of unintended consequences, at the heart of the conservative worldview?
Further, Townshend opines:
The song was meant to let politicians and revolutionaries alike know that what lay in the centre of my life was not for sale, and could not be co-opted into any obvious cause. ... What I write is interpreted, first of all by Roger Daltrey. Won't Get Fooled Again - then - was a song that pleaded '….leave me alone with my family to live my life, so I can work for change in my own way….'. But when Roger Daltrey screamed as though his heart was being torn out in the closing moments of the song, it became something more to so many people. And I must live with that.
As for the political implications, note (1) the emphasis on there being an aspect of life which is not for sale, which echoes Edmund Burke's references to "the unbought grace of life," and (2) the desire to be left alone by both politicians and revolutionaries, so as to work for change individually, which echoes Burke's references to the "little platoons" of society, of which the family is first and foremost. As Ann Althouse thus correctly observes: "A lot of conservatives will say that's precisely what is conservative."
Finally, isn't this a fascinating insight into the complex relationship between Townshend and Daltrey? (For his own part, Daltrey has said that "Nothing ... challenges him like a Townshend song. Everything else, even the acting career, is 'secondary'.") The act of performance creates an entirely new work of art, whose meaning may be entirely different than that intended by the author/composer. Like revolution, performance thus "can have results we cannot predict."
Anyway, regardless of Townshend's, Daltrey's, or the song's politics, Won't Get Fooled Again stands as one of the great rock anthems of all time and, like all great works of art, is subject to appropriation and reinterpretation by those who hear (or view or read it). From HERE.
Ordinary people's interpretations HERE.
I actually have heard this song before, and having heard this song before is one of the reasons I’m commenting on it; but I’m not commenting on this song because of its content which refers to politics, I’m commenting because this is the theme song of one of my favorite TV crime series, CSI Miami. The show is your everyday, crime, mystery, evening TV show; but it lacks the usual fast paced action that you would normally expect from a crime show, in favor of a style that more closely resembles a mystery. It’s been on for many seasons and has other spin-offs like CSI, and CSI NY. I don’t like to delve deep into the political aspect of things, particularly this song; because when it comes to politics, it’s always a matter of agree to disagree. I find it better to just enjoy the song for its beat and soundtrack, rather than to turn its lyrics into political debate.
ReplyDelete